The first draft of the playtest doc for Sand Dogs is now publicly available! If you give it a spin or even just a read, please reach out. And share as far and wide as you like.
This doc is obviously incomplete but it’s also certainly enough to run a game — it’s all we’ve been using for the past six weeks or so. Much more is coming, including ways to develop tomb artifacts, gods, and stuff like that.
If you dig it, consider grabbing a copy of The King Machine (same system), which is on sale for less than 5 bucks in PDF until next year. You can have a very monkey Christmas with that.
Today I’m going to look at Joshua Kubli’s magnum opus, Wormholes and Waystations. Joshua keeps a current set of links in its own doc, including contact info. This is an enormous tome, nearly 400 pages of material, that delivers a space-opera OSR experience. It cleaves close to type, not providing rules that guarantee the theme but rather providing extensive rules for making characters, vehicles, and equipment that are consistent with the theme. That is, we build all the things that live in this universe and get a data dump of the state and history of the universe and then go. We don’t get rules for how to push the narrative to deliver the theme but rather trust the simulation to provide it as an emergent property.
Except in one little section you could almost miss, a gem: the type of ship the characters fly determines the mission type, and the mission is ultimately the driver, or at least the kick-off, for the emergent narrative.
I usually have a problem with these kinds of games because they lack the focus to deliver what they claim they will deliver — they claim to generate a certain kind of story but in reality they set up the precursors for that story and then mostly hope that’s what happens. Fortunately, whatever happens is usually fun — it’s the claim that the game makes a particular thing happen when the game doesn’t actually have rules to do it that I find irksome.
However, in this game that one page of information out of nearly 400 does what it says on the box. Some examples:
Noble: Luxury vessels are manned by the wealthy, so the crew might be guards and servants for a pampered dilettante, or an idealistic and meddlesome
Odd Jobs: Give the PCs a Multi-Purpose ship if the plan is for them to travel from one world to another, taking any sort of job they can get. Multi-Purpose ships are also
good for piracy and smuggling; they’re fast, well-armed, fairly tough, and can still carry a fair amount of cargo.
Patrol: Patrol ships are good for a lighter-duty military campaign, or for law enforcement and bounty hunter vessels.
Scout: A new planet every week to explore and exploit! Give them an Exploration ship if they’re going to boldly go seek out new beings and new societies every few sessions.
Right there is the heart of the game: this is what you’re going to do and the system will provide all the pieces needed to deliver it. And most of the game is those pieces.
Character generation is enormous and detailed an a lot of fun. I’d compare it to Fantasy Games Unlimited’s Space Opera except this is more fun and less tedious. I’m a sucker for the bits of games where you make things and this game has tons of that.
This is a complete game but could benefit from your eyes on the text: does it do what it claims to do? Is it clear what you should do during character generation? From moment to moment in play? Is there more here than there needs to be? Not enough?
I’m certain it plays just fine: the basic model of play is time-tested. Does the text deliver it?
My personal observation is that it would be a better game if that mission section had more detail, even if just some oracles, some charts that triggered ideas in the ref’s brain. Develop each into a genuine inspiration for jumping into the action rather than the tantalizing but tiny offering that’s there now. If it had the same energy applied to it as other sections of the game have I’d be very enthusiastic about giving it a spin.
Ground rules for commentary:
be positive. That doesn’t mean don’t be critical, but if you have criticism be specific and don’t be hypothetical: if you think it doesn’t play, play it and prove (or disprove) your hypothesis.
be generous. Assume the author is at least as intelligent as you. Give them the benefit of every doubt.
discuss as though you will be criticised. Let’s make an environment where people want to discuss.
be concrete. Again. Talk about actual things not hypotheticals. Hypotheticals can often be better phrased as a question. Ask a question if you’re wondering! Comment if you read and don’t understand or played and had trouble.
praise where warranted. A post saying THIS IS AWESOME is just fine. Welcomed even.