Me, Toph Marshall, Tim Dyke, and Byron Kerr wrote this together over a couple of years in an attempt to bring a Traveller aesthetic to Fate back when it was FATE. Derived from Spirit of the Century but with efforts to deconstruct and modularize. Gold ENnie winner for best rules. It’s about keeping your spaceship running while dealing with the political and trade frictions between a small number of very different star systems. Collaborative world design. You may have first experienced it as Spirit of the Far Future. Print and PDF.
This is a game we still play, though I think that the character and system generation stuff is better by far than the rest of the game. I mean it’s a good game, but the collaborative stuff really sings.
I had a bug in my head about post-apocalyptic play and so wrote this little system-agnostic adventure generator that starts from the submergence of your home town. Lots of table-based oracles for creating desperate communities. Simple, fun, and crazy cheap (PWYW). PDF only.
I haven’t played with this in a while. Have you? I keep coming back to the idea of releasing a new edition with better tools and art.
Written together with Toph Marshall before my move to Toronto and then laid out and finished amongst the boxes of my move. This is a custom designed system built up from a deconstruction of ORE and built to make face-paced action movie games. It probably first percolated up into my head after reading the graphic novel series 100 Bullets. It’s about being super competent at being bad. Your only options are different flavours of violence. An ENnie nominee for best game. Print and PDF.
This game is huge fun and always has been but suffers from a fatal flaw for my own use: the whole iteration-over-a-dice-pool concept just isn’t fun for online play. It kicks ass at a table with real dice, but the tactile allocation and manipulation of dice is necessary.
Now living in Toronto and isolated from my gaming groups, I built a game designed to be played by email. While the provided scenario is a sort of fantasy 17th century Europe and Africa, it’s been easily ported to space stations, colonies, and other settings. The idea is simple: you play a personality by writing letters to other personalities you know using email. The ref gets a CC: of all these and periodically publishes a newspaper that synthesizes these letters as current events. I think this game is a gas and it doesn’t require constant attention. I think there’s more to do with this concept. First time I’d use a cover from Juan Ochoa and he’s awesome to work with. PWYW in PDF form.
Haven’t played in a while but I see a game crop up online every now and again.
It took a while to get this one out of my head. I’ve never much liked space opera as a genre but felt like one way to get an understanding of what’s to love would be to write one. This is another Fate rebuild, with a lot of simplifications and an amusing first-person space combat system. This gave me a chance to exercise some suddenly improving artistic skills as well as hire Juan again for some work. It plays lighthearted and galaxy-spanning with adventure cues ranging from stopping a galactic Horror to dealing with a paperwork nightmare on a world dedicated entirely to galactic bureaucracy. Huge fun to make and to run. First time I would use DriveThruRPG for both print and PDF.
I don’t play this as much as I should, but I can’t get into Fate that much any more, especially for online play. The mechanical back and forth places more burden than I want on my time and resources when I’m limited (as I am) to a couple hours a week and entirely playing by text chat. Still, I wish I could play more. The playtesting was great fun and very funny.
The Soft Horizon had been brewing in my head since shortly after we released Diaspora. The idea was to build a plane-hopping game that would weave bizarre characters through Heavy Metal style psychedelia, evoking Moebius and Bilal and Voss and all those great artists who were clearly out of their heads. It didn’t turn out to be one game. Instead I’ve been reconstructing the playtest sessions as individual games using the same simple Powered by the Apocalypse inspired engine. Fast and failure driven, the games reliably take the narrative places no one intended. Each game is self-contained, having the setting and the complete system (tuned for the setting) all in less than a hundred pages.
The King Machine
This probably shouldn’t have been the first Soft Horizon game. It doesn’t derive from a known property but instead from an early playtest session brought into being by some random oracles and our own brains. It was initially conceived as a warning about democracy but took so long to make that now it’s just thinly veiled allegory for today’s world. You play intelligent non-human primates in a world of Roger Dean album covers coping with a utopia that suddenly lost its utopic engine: the machine that makes perfect kings. Print and PDF at DTRPG. I think this is one of the best games I’ve ever made.
I’d be playing this now if I wasn’t playtesting…
Coming soon! A dieselpunk tale in a world that’s all desert and studded with tombs full of sleeping gods. A mash-up of Indiana Jones, Roadside Picnic, and the Airtight Garage of Jerry Cornelius. You can’t buy this yet. I’m playing it. If you’re a patron you can get a laid out playtest package sometime in December.
And of course our Patreon is what keeps this stuff coming. It’s been an enormous influence on my productivity — we’ve never had a three-title year ever. We’ve never had a two-title year before. Even just a buck is awesome: it’s one more person I feel beholden to and therefore one more little push to get some more work out the door.